First of all, CONGRATULATIONS!!! I absolutely *adore* it!!!

I thought Balcan and in general Eastern Mediterranean people were the only crazy ones in the world to use odd rhythms in their music...Are you sure you are Australian!??
Since you "counted" my 7/4 piece (which was completely straight-forward in comparison to your masterpiece

) , and since you "chalenged" me to count yours, I did count it

The only "difficult" part was the section with the 2 guitars and the descending figure on the top guitar in the phrygian mode...
So, my counting: (I refer to semiquavers)
43/223 (7/16) 3times, followed by 32323 (13/16)
the phrygian mode part:
223/222 (7/16+6/16) 7times followed by
222/222/222/2222 (6/16...4/8) 2times
then comes the voice, same as the beginning
then mixolydian instrumental part:
22222223 (4/8 + 9/16=2223)
then the vocal part in the mixolydian mode:
in 9/4=2223
and then I got bored counting
I love when the first motive (43223) comes in the brass in the blues (12/8) section!
Well done! All my respect to your musicality
