SPL - Transient Designer

Post by **Guest** » Thu Nov 16, 2000 6:11 am

Really addictive toy! On individual tracks that are already slightly compressed, it works as promised. Changes the envelope of audio signals very smoothly, with almost no artifacts, as long as you remain in a "subtle" range of parameters, but then again you might like the weirdness of more extreme settings. I'm using it as an insert in most (I admit being a junkie, by now...) stringed instr., such as bass or gtr.

Post by **Guest** » Sun Mar 18, 2001 2:20 am

<a name="planetz-file"></a><a href="http://www.creamware.com"><img src="/forums/images/file_icon.gif" border="0" alt=" File"> File</a> _____________________________________ <center><table width=721 cellpadding=2 cellspacing=1> <tr bgcolor=#708090> <td align=left> The Transient Designer is based on SPL's patented Differential Envelope Technology™. This makes two things possible: firstly, you can increase or decrease the attack of any sound material. Especially with percussive sounds, this is an easy way to add more punch and boost the presence of these sounds. With the Transient Designer you can also shorten or prolong the sustain of an audio signal. This enables you to increase or decrease its relative share of the acoustical space. In its digital version as a Plug-In for Pulsar, the Transient Designer also works with audio signals in 24bit/96kHz-format for the first time. <h3>Key features:</h3> <ul> <li>Unique sound-shaping potential</li> <li>Handle 24 bit / 96 kHz audio material</li> <li>Work on up to six channels simultaneously (Attacker: four channels)</li> <li>Graphical representation of envelopes</li> <li>Intuitive handling, stereo-link</li> </ul> </td> </tr></table></center>