I now have most of a setup to record the early 60's sparkle red Premier drumkit i scored the other day, save the proper kick mic.
I'm using a matched pair of Rode NT-55's as overheads, and a mic on kick, which at the moment is either a Rode NT2 or an SM57. That's it, more a live sound than a multi-mic, gatey, pristine thing.
The kick is set up kinda old school, too - no hole in the front head, only dampers are felt strips stretched between head & shell.
Please, share any thoughts & experiences
