Page 1 of 2
Posted: Thu Jan 15, 2004 4:27 pm
by Shayne White
It looks like Arturia's trying to compete with CreamWare -- they've just announced a new "MiniMoog V" soft synth. They're adding a bunch of new modern features such as a dedicated LFO, oscillator sync, modulation matrix, blah blah blah...we'll see if it can match up to the likes of MiniMax. I didn't see anything about velocity control.
http://www.arturia.com
Shayne
Posted: Thu Jan 15, 2004 4:34 pm
by paulrmartin
If there's one thing I admire about Arturia, it's their dedication to reproducing those old synths with all their quirks and limitations.
There was no velocity control on the Minimoog so why should they put it in? You get my drift
Posted: Thu Jan 15, 2004 6:59 pm
by huffcw
They are also considering a hardware interface that will run their synths.
http://www.arturia.com/en/rackmmv_survey.html
<font size=-1>[ This Message was edited by: huffcw on 2004-01-15 19:04 ]</font>
Posted: Thu Jan 15, 2004 7:05 pm
by Joxer the Mighty
I don't see how they can top the Minimax. Frankly, I'm pretty sick of analog simulations...well, with one exception...I would love to see Creamware do one of these:
http://www.tcelectronic.com/Virus
Posted: Thu Jan 15, 2004 8:33 pm
by astroman
Joxer, the Virus isn't an analog synth

Posted: Thu Jan 15, 2004 8:49 pm
by hubird
emulating a virtual analog synth...when do we get an emulated Minimax?

Posted: Thu Jan 15, 2004 9:03 pm
by Joxer the Mighty
Doh!!!
Posted: Thu Jan 15, 2004 9:11 pm
by Shayne White
What!? Isn't the MiniMax TRUE analog??
(Well, it certainly sounds like it....)
I find it amazing how "digital" has progressed to the point where it can emulate the way analog synths sounded *thirty years ago,* and *it's so revolutionary.* Of course, digital gives us many perks, such as staying in tune, software, presets, and MIDI....
Shayne
Posted: Sat Jan 17, 2004 3:35 am
by johnbowen
Just a quick comment...the Access Virus is coded for the Motorola 56000 DSP family.
This made porting it to ProTools and TC Electronics DSP cards 'relatively' easy, since the code is the same for those boards.
(Pulsar and Scope boards, as is generally known, use the Analog Devices SHARC processor, so this conversion would not be a trivial matter.)
cheers,
John B
Posted: Sun Jan 18, 2004 5:31 pm
by braincell
I agree with paulmartin, also it should go out of tune and have to be retuned by the factory and it should not have MIDI because MIDI wasn't invented at the time the original synth was made.
On 2004-01-15 16:34, paulrmartin wrote:
If there's one thing I admire about Arturia, it's their dedication to reproducing those old synths with all their quirks and limitations.
There was no velocity control on the Minimoog so why should they put it in? You get my drift
Posted: Sun Jan 18, 2004 8:07 pm
by hubird
it's getting academic now

Posted: Mon Jan 19, 2004 8:38 am
by paulrmartin
Braincell, a MIDI interface was constructed for the Mimimoog( I think by sequential circuits). John McLaughlin had six Minimoogs hooked up to his guitar, one for each string!
Check out the song "All in the family" by Mahavishnu Orchestra.
By the way, I really laughed at the "out-of-tune" bit of your post. I didn't expect that

_________________
Paul R. Martin - Are we listening?
<font size=-1>[ This Message was edited by: paulrmartin on 2004-01-19 08:40 ]</font>
Posted: Mon Jan 19, 2004 8:40 am
by braincell
Forget the virtual Moog. I want a virtual Hartmann Neuron!
Posted: Mon Jan 19, 2004 8:40 am
by paulrmartin
YES! Me too!
Posted: Mon Jan 19, 2004 5:41 pm
by wavelength
On 2004-01-19 08:40, braincell wrote:
Forget the virtual Moog. I want a virtual Hartmann Neuron!
http://www.camelaudio.com/
Posted: Mon Jan 19, 2004 6:03 pm
by braincell
Do you have this? Seems like it might be something I would buy. The mp3 examples are impressive.
I think I had a similar feature on a sampler years ago. It took hours or days to render but came up with some incredible sounds.
Maybe this is the nearest thing to a virtual Hartmann Neuron.
<font size=-1>[ This Message was edited by: braincell on 2004-01-19 18:15 ]</font>
Posted: Mon Jan 19, 2004 7:23 pm
by astroman
I thought the same as Wavelength when I first saw that Camel page.
As long as I have no proof that it's their original work I consider this a steal of the Hartmann's concept and wouldn't even think of getting one.
But that's just my very personal opinion
cheers, Tom
Posted: Tue Jan 20, 2004 2:13 am
by darkrezin
I don't think that additive resynthesis is a new concept from the Neuron. I checked out the Camel Audio synth and I must say it's pretty good.. for me, it's simply great for creating crazy new horror-movie style sounds, and with the right approach to the freq analysis/multisampling, it could be great for more 'realistic' sounds.
Posted: Tue Jan 20, 2004 2:18 am
by wavelength
http://www.500sound.com/9600feat.htm
Axel Hartmann did not invent resynthesis, the Synclavier has been around for many a year (see link).
Posted: Tue Jan 20, 2004 8:12 am
by spiderman
the synclavier is a kind of analyse-resynthesis thing ; not at all a new thing ! but a great thing indeed !!