It use almost no DSP except the dsp it need for connection to other drivers or inputs and generating the clock needed to synchronize external adat and sequencer.
It run on cpu, but there is almost nothing to run... It is streaming audio data in wav files on many tracks.
The thing need a very good harddisk to perform thou, like any multitrack recorder, but perform better than most multitrack recorder i've tried.
For example, i'm able to record about 8-10 stereo track in 24bits/44.1khz in Logic while i can record 24 stereo tracks (48 mono) at 24bits/44.1khz or even 32bits/44.1khz in vdat. Recording in 32bits is even easier, no padding of 24 + 8 is needed, but pose the problem of editing a 32bits wav files. Not many wav editor supports 32bits.
The trick here is that vdat create the files before the recording, so while you record it only need to stream data inside the already existing files. Saving lotsa resources for higher track counts.
One thing, the recording is flawless and sample accurate. That's the whole point of using it.
The way i work with it is like this:
I record everything in vdat, including sfp synths with no effects except for vocal, where i put 'some' : Celmo's X-Machine for gating, compression and limiter to avoid digital clip.
Afetrward, i copy the tracks i want to edit into audio tracks of logic. Now that the recording is done, the sound will remain unaffected by logic. And btw, you can clearly ear the difference by recording in logic or vdat, even when logic play a track recorded by vdat.
So after copying those tracks, a can edit them, cut, copy, paste section of them etc.
For the synth tracks, why i record them? Well, i'm limited by DSP (i have 7dsp) so once they are recorded, i can set their voices to 0, libarating totaly the dsp, to load more synths
If i need change to those synths, i just give them voices back, and re-record them on the fly again in vdat.
Connection of sound source is like that:
sound source->vdat->asio dest
In Logic, i set input for each of them as AUX audio objects. Perfect for monitoring everything.
Pretty easy, don't even need a sfp mixer, even if a record everything in sfp.
For mastering, i do the final mix in sfp. No need for logic here except if you want some automation. (that why sfp should support recording internal automation like a digital standard console).
Most will think it's overkill, but i record the master mix in STS3000... STS3000 can record stereo wav at any bits rate, and the sound stays in sfp, in 24bits.
Here, the trick it to load a nice sfp mixer and vdat with your tape only, then apply mastering effects like Optimaster, PsyQ or FinalLiza if like me you don't have optimaster, etc...
After, you only need to dither to 16bits and your ready to burn on cd, or compress to and MP3 to publish on the Z
<font size=-1>[ This Message was edited by: marcuspocus on 2003-06-02 04:24 ]</font>