How do you guys record drums (or anything analog source with many tracks at once)? I'm thinking of buying Behringer DDX3216 but it has 'only' 24-bits and it's ADAT connected, so it gives maximum of 48khz.
How can I record 32bits@96khz?
A16 Ultra also gives only 24bits, is this some kind of standard? (And in case of A16 I should buy 10pre-amps, not very nice)
Is [email protected] just plain enough?
Recording drums
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spoimala
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marcuspocus
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I think 24/44.1 is 'just plain enough' like you said. And for recording true 32bits/96khz, you need a sound source from inside SFP, since all ad/da are 24bits, there is no use of recording it in 32bits anyway. But recording in 24bits is very recommended thou! You cold record multiple track in 24bits using logic, since i remember you telling us you had Logic. Just route every analog source to asio dest, and record those track directly in logic. That'll do the job just fine.
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AndreD
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The new Terratec mic 8 seems to be an interesting converter/pre-amp.
Pre-amp section is made by SPL
http://www.terratec.net/products/EWS_mi ... c_info.htm
<font size=-1>[ This Message was edited by: Andre Dupke on 2002-10-27 14:14 ]</font>
Pre-amp section is made by SPL
http://www.terratec.net/products/EWS_mi ... c_info.htm
<font size=-1>[ This Message was edited by: Andre Dupke on 2002-10-27 14:14 ]</font>
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spoimala
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- garyb
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i use direct outs from my board,(24 channels of nice pres.you can get studio boards from the eighties for cheap.they already made many great recordings)into a/d converters(frontier tango.two of them.)into light pipe into computer...
a typical session would be 4 mics:kik(akg d112 or audixd4 etc),snare(audix d1),hihat(atm833 condernser),overhead(atm33 condenser)
for the right situation i,d also mic toms and use two mics for overheads,but this takes a lot longer to set up as i like to use gates on tom mics.(snare sometimes too)
i don't usually compress untill later but i do like to limit.
a typical session would be 4 mics:kik(akg d112 or audixd4 etc),snare(audix d1),hihat(atm833 condernser),overhead(atm33 condenser)
for the right situation i,d also mic toms and use two mics for overheads,but this takes a lot longer to set up as i like to use gates on tom mics.(snare sometimes too)
i don't usually compress untill later but i do like to limit.
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spoimala
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- at0m
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Are you recording with Cubase?
I use the TrueTape from Cubase VST32, it can record 32bit flow wav , I use the Asio2-32 Source64 Pulsar/Asio modules for that.
But I don´t tried this on a multichannel record of drums, via a Mixer and the ADAT´s.
My working samplerate is 44,1kHz.
That should be enough,there is a small golden norm: Your recording samplerate should be twice higher than the highest frequence of your recording signal.
Do you ever heard a HiHat at 48kHz ?
Cheers
<font size=-1>[ This Message was edited by: ChrisWerner on 2002-10-30 03:55 ]</font>
I use the TrueTape from Cubase VST32, it can record 32bit flow wav , I use the Asio2-32 Source64 Pulsar/Asio modules for that.
But I don´t tried this on a multichannel record of drums, via a Mixer and the ADAT´s.
My working samplerate is 44,1kHz.
That should be enough,there is a small golden norm: Your recording samplerate should be twice higher than the highest frequence of your recording signal.
Do you ever heard a HiHat at 48kHz ?
Cheers
<font size=-1>[ This Message was edited by: ChrisWerner on 2002-10-30 03:55 ]</font>
- bassdude
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Hello Atomic,On 2002-10-29 02:30, at0mic wrote:
It's called S-MUX, and is AFAIK only supported by CW ADAT ports.
Any product that is s-mux compatible can do 96khz over adat. e.g. the new Octopre from Focusright (8 preamps) has *two* adat outputs specifically so it can transfer 96kHz over ADAT.
Cheers!